Raavan (Tamil) Movie Review

Raavan (Tamil) Movie Review


Raavan- Last in ManiRatnam\'s Best ShowcaseRaavan- Last in ManiRatnam's Best Showcase

Raavanan is not Mani Ratnam’s attempt to venerate the epic villain whose name the movie is titled after. It’s not also a study on complex human relationships weighed down by trust, conviction or quandary. It’s a pure cinematic retreat spanning across the dense jungles of Southern and Central India with exceptional cinematography (Santosh Sivan) and Raavanan(Manikandan), by-now cult songs (A R Rahman) and interesting performances by its lead actors. And the significance of the movie appears in the same order mentioned above.
Mani’s conviction of illustrating an unachievable love story between the two leads (Aishwarya Rai and Vikram) is palpable from the very start of the movie. However, the blossoming of love doesn’t quite form the back bone of Raavanan so much. The movie digresses into other aspects - a man hunt, flash backs, revenge drama and so on and so forth. The man hunts lack dexterity, the revenge drama that is triggered by the death of Vikram’s sister seems engineered and Prithviraj often comes across as stiff – showing unnecessary tautness in the character that is probably designed to defy emotions (may be because he is in his Khakis?).
The major plus is the actors – Vikram, Aishwarya Rai, Prithviraj, Prabhu and Karthik are very good and keep us engrossed, but the story and screenplay by Mani Ratnam and Suhasini are a big let down.

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